Schopenhauer: A Very Short Introduction by Christopher Janaway
Author:Christopher Janaway [Janaway, Christopher]
Language: zho
Format: epub, mobi, azw3, pdf
Tags: #genre
Published: 2011-04-26T16:00:00+00:00
Chapter 6
Art and ideas
Aesthetic experience
Aesthetic experience deliberately reverses the trend of Schopenhauer's book, for in it the will of the subject is suspended. As long as we exercise the will, or are governed by it, we shall be forced to consider a thing in a great mesh of relations to other things and to ourselves: Do we want it? Can we use it? Is it better than something else? What made it the way it is? What will it make happen? Just as our intellects are organs developed to subserve the will, so all the usual connections which we employ in order to understand objects are will-governed: we perceive in order to manipulate, in order to live. Only if we cease to will at all can the object stand out in our consciousness stripped of the relations of time, place, cause, and effect.
Schopenhauer belongs to a tradition which equates aesthetic experience with a 'disinterested' attitude towards its object, and is often cited as one of the chief proponents of such a view. The idea is that to experience something aesthetically, one must suspend or disengage all one's desires towards it, attending not to any consideration of what ends, needs, or interests it may fulfil, but only to the way it presents itself in perception. In Schopenhauer's case, aesthetic experience must always be an extraordinary episode in any human being's life, since he has argued that the will is our essence, and that our'ordinary way of considering things' is permeated by will:
so long as our consciousness is filled by our will, so long as we are given up to the throng of desires with its constant hopes and fears, so long as we are the subject of willing, we never attain lasting happiness or peace.... Thus the subject of willing is constantly lying on the revolving wheel of Ixion, is always drawing water in the sieve of the Danaids, and is the eternally thirsting Tantalus.
When, however, an external cause or inward disposition suddenly raises us out of the endless stream of willing, and snatches knowledge from the thraldom of the will, the attention is now no longer directed to the motives of willing, but comprehends things free from their relation to the will. Thus it considers things without interest, without subjectivity, purely objectively ... Then all at once the peace, always sought but always escaping us on that first path of willing, comes to us of its own accord, and all is well with us ... (F)or that moment we are delivered from the miserable pressure of the will. We celebrate the Sabbath of the penal servitude of willing; the wheel of Ixion stands still. (Wi, 196)
After the brisk formality of the opening book on the world as representation, and the incipient gloom as we descend into the world as will, the Third Book of The World as Will and Representation has a character of brightness and joy, which testifies to the importance of the aesthetic for its author.
Schopenhauer states the
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